We find ourselves thinking back at the Pakistani dramas that were released during the year as 2024 draws to a close and we consider the last year.
Some used a more conventional approach, keeping to well-known plots, but they incorporated subtle changes that, whether through acting, directing, or narrative telling, gave the well-known a new feel.
Additionally, there were noteworthy programs that addressed significant societal concerns or experimented with novel genres, ranging from action dramas to tales with enduring, instructive value. With so many unanticipated treasures this year, we have great expectations for 2025.
Kabhi Tum Kabhi Main
Millions of Indians and Pakistanis were captivated by this drama, which kept us riveted to our TV screens. The desi equivalent of a slow-burning romance that we were unaware we needed was Kabhi Main Kabhi Tum. The play, which was written by Farhat Ishtiaq and directed by Badar Mehmood, demonstrated that the Pakistani television industry is skilled at depicting a wonderful relationship on film.
Its themes of juggling marriage, career, and love transcend the clichéd utopic fairytale romance plot, making it an engaging movie that appealed to youthful audiences. The show’s wholesome appeal was enhanced by the chemistry between the protagonists and the talented supporting cast, especially Emmad Irfani and Naeema Butt.
Bunn Zard Patton Ka
Zard Patton Ka Bunn, a collaboration between the Kashf Foundation and Momina Duraid Productions, taught viewers about important societal issues like drug abuse, gender-based violence, family planning, education, population control, and maternal health with a refreshing sense of honesty and authenticity.
With the help of the backstage crew and lead actor Sajal Aly, who was coupled with young, talented Hamza Sohail, the drama, which was written and directed by the gifted Mustafa Afridi and Saife Hasan, respectively, was bound for glory.
The producers’ decision to emphasize the terrible reality faced by persons coping with these challenges rather than relying solely on popular appeal was noteworthy. It was quite touching to watch Meenu’s (Aly) journey to become the village’s first female doctor. She demonstrated strong, non-toxic relationships with her father, nephew, and friend through her sincere conversations.
Furthermore, Sohail and Aly’s relationship brought even more spark, and their endearing moments were the icing on the cake.
In addition to being a conversation starter, Jafaa was a show that skillfully told the narrative of a victim of domestic abuse and gave audiences a glimpse of the emotional turmoil that comes with attempting to comprehend what is occurring, identify the abuse, and muster the strength to defend oneself.
Jafaa
which was written by Samira Fazal and directed by Danish Nawaz, wowed viewers with its compelling narrative. The subplots discussing birth control, contraception, and mental health were also skillfully done. Mawra Hocane, Usman Mukhtar, Sehar Khan, and Mohib Mirza all gave outstanding performances, and the performers’ chemistry was remarkable.
The drama was captivating and entertaining to watch since it included a healthy dose of friendship and sisterhood, romance, and emotional depth.
But its potential is undermined by an excessively drawn-out plot and a few ill-considered turns, chief among them Andaleeb’s (Khan) decision to desert her child, which seemed absurd and unrelated to the otherwise poignant story.
Khaie
Khaie was notable for its compelling narrative, dramatic acting, and storyline that centered on social issues and tribal traditions. With themes of love and treachery interwoven with the centuries-old Pashtun ritual of revenge (Khaie), the play, which was written by Saqlain Abbas and directed by Syed Wajahat Hussain, takes audiences on an emotional journey.
With their children entangled in a web of competing allegiances and wants, the narrative centers on the intense familial rivalry between Durab Khan (Khalid Butt) and Darvesh Khan (Noor ul Hassan).
As Channar Khan, Faysal Quraishi excels. Her obsession with Zamda (played masterfully by Durefishan Saleem) causes conflict because she has already made a commitment to her cousin Badal (Osama Tahir). The script clearly conveys a tale of difficult choices and the burden of customs.
Even though some may disagree with its conclusion, the drama has a powerful impact and is a serious contender for one of the best productions of the year because of its outstanding ensemble cast, stunning graphics, and superb direction.
Murshid Ishq
In addition to being a delightful love story, Ishq Murshid offered viewers insight into Pakistan’s governmental corruption problem.
The son of a politician, Shahmeer (Bilal Abbas), develops feelings for Shibra (Saleem), a lowly woman who vehemently opposes the corrupt system. He poses as the modest Fazal Baksh in order to gain her affection, and he gradually infiltrates Shibra’s and her family’s lives.
The show’s main attractions were the developing romance and the chemistry between Abbas and Saleem on screen, which captivated viewers. The original music to the drama, performed in the heartfelt voice of Ahmed Jehanzeb, was a wonderful complement.
Scenes filmed by the sea added to the sets’ stunning aesthetic appeal. The brilliant direction captured how riches and power impact people’s lives by striking a balance between romance, simplicity, and a profound social critique. The play was fantastic because of the humor and lighthearted parts.
What was your favorite 2024 drama? Which drama, in your opinion, merits a place on this list? Tell us in the space provided below.
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